Evening concert: Smetana, Sjostakovitsj, Beethoven
A moving ego document in Muziekgebouw aan 't IJ. The fifteen quartets of Shostakovich can be seen as one large personal document, and the dark Eleventh string quartet is no exception. The structure is exceptional: seven short, contiguous sections refer to the classical divertimento. Beethoven’s Eighth string quartet also features a minimal extramusical motif: in the third movement, a Russian theme appears as a tribute to the commissioner, the Russian ambassador Andrey Razumovsky.
Evening concert: Smetana, Sjostakovitsj, Beethoven
From my Life
A string quartet is generally absolute music. But sometimes composers give a programmatic hint in a title (Sibelius: Voces Intimae) or a subtitle (Beethoven: ‘Muss es sein?’). In “From my Life”, Smetana tells the story of his deafness, which began with a high-pitched ringing in his ear – that tone is heard in the fourth movement. This composition is a moving personal document.
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Evening concert: Smetana, Sjostakovitsj, Beethoven
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