Koenraad Spijker: The Divine Mystery - Skrjabin

Between man and cosmos

In his research on Alexander Scriabin, Koenraad has shown how Scriabin's music developed not only musically, but also philosophically, strongly influenced by mysticism and theosophy. In his early works, such as the preludes played during this recital, you can still clearly hear the influence of the romantic tradition, with short, expressive pieces. These early works have a lyrical character reminiscent of Chopin, but Koenraad emphasizes how Scriabin's later pieces became increasingly filled with his spiritual and mystical ideas.

Scriabin was inspired by theosophy, a philosophy that seeks unity between man and the cosmos. This is reflected in his music, in which he explores new harmonies and forms to represent this mystical world. In the Poème-nocturne op. 61 , which is also on the programme, you see how Scriabin's music and spiritual vision come together. This piece, in which the boundary between dream and reality blurs, has an almost supernatural atmosphere, which is typical of his later work. The recital thus takes you on a journey through Scriabin's development, from his early, Chopin-like style to the more complex, mystical music that characterises his later compositions.

Program

• Chopin: Nocturnes
• Scriabin: Preludes | Feuillet d'album | Poeme-Nocturne
• Chopin: Barcarolle op. 60